The Sword Guy Podcast

Swords are where I can be me, with Vera Martocchia

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-208-swords-are-where-i-can-be-me-with-vera-martocchia 

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Vera Martocchia is a professional sword fighting instructor with nearly a decade of experience in historical martial arts. She co-founded the historical martial arts club Swordpunch in London, and teaches a wide range of weapons, including sidesword, longsword, dagger, sickle and more.

In addition to her historical martial arts practice, Vera holds a master’s degree in international business, works as a marketing professional in tech and is a certified fitness professional with over 16 years of experience.

Our wide-ranging conversation covers how getting pregnant is what got Vera into historical martial arts (in a roundabout sort of way) and the reasons she and her business partner Jack set up their own club. Setting up your own club may not be the practical choice, and we discuss how to manage all the responsibilities of both the club and life – hint: the answer is not to sleep.

One of Vera’s driving forces was to create a club that is welcoming and a healthy learning and training environment with professional teaching methods. We talk about how to help vulnerable students, and how to professionalise HEMA teaching.

The perfectly rational fencer? With Martin Höppner

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-207-the-perfectly-rational-fencer-with-martin-hoppner 

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

Dr Martin Höppner has been involved in historical martial arts since joining a local reenactment club, “Berliner Rittergilde” in 2008 before getting into historical fencing in 2015 studying classical sabre and rapier at the University of Berlin club. He then moved into sword and buckler, inspired by Roland Warzecha’s work (you can hear from Roland here) and Fiore’s Art of Arms, before being seduced by Manciolino and Marozzo. In 2017 he co-founded Schildwache Potsdam as a collaboration between the Berliner Rittergilde and the University of Potsdam’s Academic Sports Centre. In 2020 and 2021 he was on the DDHF national longsword first squad. And since 2022 he was on the Rapier national squad, where he is now head coach. He runs the Schildwache Potsdam YouTube channel, and is one of the organizers of one of my favourite events, Swords of the Renaissance. He is a research associate at the Brandenburg University of Technology Cottbus-Senftenberg and has a PhD in economics and social sciences.

Economics is very relevant to this episode, because Martin and I discuss how Game Theory relates to fencing. What is it rational to do when sparring and what do people actually do? What is the most rational way to react to an opponent who hits you increasingly hard or fast? Should you match them, or walk away?

We also talk about rule sets in tournaments, and Martin’s thoughts on how to devise them to stop people gaming the rules, and make the fencing cleaner and scoring fairer.

 

Links of interest:

Schildwache Potsdam (Martin’s club) and info on Swords of the Renaissance event: https://schildwache-potsdam.de/

The Schildwache Potsdam Patreon: https://www.patreon.com/cw/SchildwachePotsdam

Schildwache Potsdam YouTube channel: https://www.youtube.com/schildwache-potsdam

 

You’re a Fechtmeister too, with Liam Clark

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-206-you-re-a-fechtmeister-too-with-liam-clark

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Liam H. Clarke is a historical fencer with a focus on Renaissance-era German fencing traditions, specifically the work of Joachim Meyer. He has been practicing since 2016, first in the Rocky Mountains before returning home to the Pacific Northwest. For the last few years, he has been delving into the archives, researching the lives and times of the contemporaries of Joachim Meyer, publishing his findings, including illuminating Joachim Meyer’s family through his Substack, Evergreen Historical Fencing.

In our chat, we discuss the appeal of delving into archives instead of just doing swordfighting: does having a better understanding of the lives of past masters help us fence better, or have a deeper enjoyment of practising historical fencing?

Liam explains who Meyer was, his family’s background in paper production, and what life was like in city states like Strasbourg in the 16^th Century. Every (male) citizen had a responsibility to own arms and armour and be prepared to protect the city, whether on night watch, military conflicts, or fire calls. Liam’s research can help us picture what daily life was like for Meyer and his contemporaries, and how they had the same struggles with money and other commitments that we have today.

One thing Liam’s research has highlighted is how young these fencing masters were, and how a “Fechtmeister” wouldn’t have been a wizened old man with a long beard. Meyer was only in his early thirties when he died. Many of us practising HEMA today would qualify as a ‘Master’, which is a nice thought for reducing the imposter syndrome!

All of Liam’s research findings and articles are open source and freely available at https://evergreenfencing.substack.com/p/three-other-fechtmeisters-of-strasbourg Check it out!

Salute before you cross swords with Damon Young

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/salute-before-you-cross-swords-with-damon-young

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My guest today, Damon Young, is an Australian philosopher, author and martial artist. He has written 14 books or so, including Philosophy in the Garden, Distraction, and On Getting Off: Sex and Philosophy. He has also edited a couple of books on philosophy and martial arts, such as Engagement: Philosophy and the Martial Arts, and Martial Arts and Philosophy: Beating and Nothingness, perhaps my favourite title.

His latest work is Immortal Gestures, Journeys in the Unspoken.

For transcriptions and more detailed shownotes, please go to:

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You might remember Damon from his previous appearances on this show in Episode 31, Why Swords Are Cool, and again in Episode 44, What is a Sword?

Unfortunately for Damon, he’s not doing a lot of sword swinging at the moment because of an as yet unidentified issue with his arms. We discuss how he might get this issue sorted – which may involve flying to Helsinki – and how it can be tricky to prioritise your own health over other priorities and difficult life stuff.

We also revisit the definition of a sword. What is a sword? When is a sword-like object not a sword?

Damon’s new book is about gestures, and we talk about the weird politeness of a salute or a bow that’s absolutely essential before you try and murder someone with a kilo of sharp steel. A gesture can be an important symbol of trust and respect, and this courtesy separates martial arts or duels from a more bestial act or something a commoner might do.

Our conversation goes off in several tangents, discussing whether philosophy is a scam, pens, getting rid of stuff, cataloguing your book collection, notebooks and the history of sticking two fingers up to the French.

Staying Fit for Fencing, with Dr. Elizabeth Scott

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-204-staying-fit-for-fencing-with-dr-elizabeth-scott 

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

Elizabeth Scott is a historical martial arts and armoured combat practitioner on foot and on horseback, which is extremely cool, as well as being an orthopaedic surgeon, which is arguably even cooler. Her latest venture is Sprezzatura Sports, a company providing health and fitness training for sports fencers and historical martial artists. Of course, her main claim to fame is having appeared on this show before in episode 114.

Things have changed for Liz since our last conversation in 2022, as at the time of recording, she was preparing to move herself, her dog, and maybe her horse over to the UK to start a master’s degree in Sport, Strength and Conditioning at Loughborough University. It’s just Liz doing the degree, not the dog or the horse.

In our conversation we talk about recovery from injury, how to stay injury free and take care of our bodies as we age. We also talk about training for historical fencing, training for tournaments, and dealing with both the mental and physical sides of tournament fencing.

Liz is a mounted combat enthusiast, and we discuss vaulting onto your horse – while in full armour – and how this was an essential part of the medieval training, despite seeming pretty impossible to us modern folk. 

Writing Great Sword Fights, with Sebastien de Castell

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-203-writing-great-sword-fights-with-sebastien-de-castell

It’s a welcome return for a previous guest, the brilliant writer Sebastien de Castell. His first published novel was Traitor’s Blade in 2014. Since then he has published the Greatcoats Quartet, the Spellslinger YA fantasy series, The Malevolent Seven and his latest Play of Shadows. He also has eight more books under contract, so there are plenty more to come!

Sebastien has written some of my favourite sword fights in all of literature, so when I decided to update my book, Swordfighting for Writers, Game Designers and Martial Artists, it was a no-brainer to talk to Sebastien about how he approaches writing action scenes in his books.

We talk about more than just sword fights, and this conversation will be fascinating to any writer or anyone thinking about writing their first novel.

It’s not just a chat for novellists. As you’d expect on The Sword Guy Podcast, we do talk about weapons, like a pistol within a rapier, and other strange and unusual weapons that never quite caught on.

To find out more about Sebastien’s books, visit https://decastell.com/ and to listen to his previous appearance on the podcast, check out episode 69: Swashbuckling with Sebastien de Castell.

The Schielhau in detail, with Alexander Fürgut

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-202-the-schielhau-in-detail-with-alexander-furgut 

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

It’s a warm welcome back to the Sword Guy Podcast to Alexander Fürgut, who was one of my interviewers on Episode 132, Podcasting with the Sword Whisperer. He's the co-host of the Schwertgeflüster HEMA podcast and of Schwabenfedern Ulm, a large HEMA club in Germany. We're here today to talk about his new book, The Schielhau in Detail: a comprehensive guide about fundamentals, tactics and strategy of this longsword technique.

We talk about the challenges of writing a book, and how much tougher Alexander found the process than he expected, especially as he immediately went on to translate the original German version into English. Will he write another? We have a chat about possible subjects, and the best approach when choosing a topic to write about. Is it better to write something with the widest possible audience, or is it better to focus on something very niche, like, for example, the Schielhau?

Find Alexander’s book, The Schielhau in Detail here:

German edition: Amazon UK – Amazon US – Amazon DE – Amazon CA – Amazon AU/NZ

English edition: Amazon UK – Amazon US – Amazon DE – Amazon CA – Amazon AU/NZ

The Notebook and a Zibaldone Salad with Roland Allen

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-201-the-notebook-and-a-zibaldone-salad-with-roland-allen 

To support the show, come join the Patrons at  https://www.patreon.com/theswordguy

Roland Allen is the author of The Notebook: A History of Thinking on Paper. The book is about the development of the notebook (i.e. a book you write in yourself) in European history, and it covers everything from the development of paper as a cheaper thing to write on than vellum, to wax tablets, to Italian accounting practices, to Leonardo da Vinci's famous notebooks, to Darwin, to the modern Moleskine and where it actually comes from.

In our conversation we talk about the means, motive and opportunity that enabled Roland to write The Notebook, and the challenges of covering such an enormous topic: what had to be left out; and the power of holding a grudge. There’s also great advice for anyone writing any sort of book about how to incorporate cause and effect into your storytelling. Readers need reasons and consequences to stay engaged.

We talk about Roland’s favourite genre of notebook, the zibaldone, which existed in medieval Florence as a way for people to write down all the bits of literature they liked, local songs, recipes, events – anything notable was written down in a hodgepodge paper version of a mixtape. To connect this to fencing, it is similar to one of our oldest treatises, Manuscript 3227a, also known as the Döbringer manuscript. This is basically a zibaldone, with a section in it on fighting with a longsword. But it also has sections in it on other things like fireworks and recipes. 

There’s lots else to talk about, including our preferred brands of notebook, and our favourite paper.

Find out more about The Notebook on Roland’s website: https://roland-allen.com/

 

Episode 200 with Michael Chidester: sharing hidden treasures

For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-200-with-michael-chidester-sharing-hidden-treasures

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For our two hundredth episode it’s the welcome return of Michael Chidester. Michael is the architect of Wiktenauer, the online archive of historical martial arts sources. He's also the founder of HEMA Bookshelf, which produces stunningly good facsimiles of historical sources, such as the Getty manuscript of Fiore dei Liberi’s Il Fior di Battaglia. He also produces a whole bunch of academic books on historical martial arts as well. If you haven’t already heard of him, go back and listen to episode 21 as well.

In today’s episode, we talk about how Michael took on Wiktenauer and saved it from deletion, for which we all owe him a beer. It has changed and grown enormously since its inception in 2009.

For transcriptions and more detailed shownotes, please go to:

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We talk about translation, including how to interpret multiple translations of the same source, or even multiple versions of the same treatise, such as the different manuscripts of Fiore’s Il Fior di Battaglia. We discuss the frustration of knowing that there is a manuscript out there, owned and hidden away by the Pisani Dossi family, which we just can’t access.

Michael talks about the process of reproducing manuscripts, and the lengths he goes to to ensure that his versions are as accurate as possible. This includes reproducing the collation, and the rough and smooth sides of the original parchment.

Since Michael’s first appearance on the podcast in 2020, he’s changed his mind a little about what he’d do with a million dollars to improve historical martial arts. We also hear about what he’s got coming up and the huge project he hasn’t started yet.

Wiktenauer: https://wiktenauer.com/

HEMA Bookshelf: https://www.hemabookshelf.com/

Why Guy needs a pie in the face, with Sydney Schwindt

For transcriptions and more detailed shownotes, please go to:

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Sydney Schwindt is an actor, fight director and clown. She is also an artist and illustrator.

In our conversation, we talk about how Sydney got into fight direction and some of the plays Sydney has worked on, or would like to work on and the swords she enjoys using.

We also talk about being a clown, and the joy of having the audience throw a pie in your face. This leads us into a discussion about some of Shakespeare’s clowns and how they have been portrayed on film by different actors, more or less successfully.

Sydney has a website for her art, called True Edge Art, and we talk about some of her designs and what inspires her. A big part of her inspiration in both her visual art and her stage work is environmentalism, and she is keen to do more work making the violence of climate change feel more real and more visceral by embodying it through actual violence on stage.

And she’s also going to do a one-person show about a clown raccoon.